Take a drive along a major highway and you'll see the fodder for Josef Schulz's photographic oeuvre: nondescript industrial factories, office parks, and clusters of hotel and restaurant signage bidding you to take the next exit. If you squint your eyes, you'll get an even better sense of Schulz's work: visual noise reduced to abstractions -- architectural structures and signage stripped of their defining features, including lettering, entrances, and windows, as well as function and wear.