Penique Productions, a Spanish collective, turns rooms into balloons.

Or, more accurately, it makes custom balloons that perfectly inflate to fill entire rooms.

It’s a technique they’ve been refining since 2007.

Those earliest attempts involved trash bags; their recent work is considerably more polished.

What’s going on inside there?

The spaces in which the group has installed are various.

Some are simple, domestic settings.

Others are grand atria and huge warehouses.

Pablo Baqué, one of the group’s members, explains that part of the appeal is how universal the installations become. Everyone can get into walking around inside a building-size balloon.

"We are interested in all ages [and] all reactions," he says. The group’s also curious about how its large-scale works might complement pieces by other artists.

Baqué hopes, in the future, the installations can be "reappropriated and reinterpreted to create dialogue with other points of view, with other projects, with other art forms."

World’s biggest balloon animal, anyone?

Co.Design

What Life Looks Like When Wrapped In Plastic

A Spanish collective is just a few inflatable floors short of making the world’s best bouncy castles.

Some artists, or groups of artists, move restlessly from one style to the next. Others find something that interests them—a subject, maybe, or a material or a process—and stay with it, building on or refining that idea until it becomes a sort of signature. Penique Productions, a Spanish collective, is an example of the latter, and in terms of scale and flamboyance, its signature might be second only to John Hancock’s.

Essentially, the group turns rooms into balloons. The artists have been perfecting the technique since 2007, and while the spaces they’re installed in have varied over the years, the results are largely the same. Using vibrantly colored plastic and the help of some strategically placed fans, Penique’s artists create custom bubbles that fill every inch of the spaces they occupy, hugging their contours like architectural wetsuits.

In an immediate sense, the work is totally transformative. Wrapped in bright blue plastic, a beautifully detailed atrium ends up looking like a backdrop for some sort of Target ad. But you could also say that the process reveals something totally essential about the spaces at hand. Stripped of color and texture, all that’s left is form. You get a heightened sense of size and proportion and arrangement—certainly a different way of seeing the space but not an untrue one.

Pablo Baqué, one of the group’s members, explains that part of the appeal is how universal the installations become. Everyone can get into walking around inside a building-size balloon. "We are interested in all ages [and] all reactions," he says. The group’s also curious about how its large-scale works might complement pieces by other artists. Baqué hopes, in the future, the installations can be "reappropriated and reinterpreted to create dialogue with other points of view, with other projects, with other art forms."

I think that means he wants somebody to make a really big balloon animal.

See more of the group’s work here.

[Hat tip: Beautiful Decay]

Add New Comment

0 Comments