Visualizing Painters' Lives

The latest from Milanese design group, Accurat, "Visualizing Painters’ Lives" maps the earthly existence of the 20th century’s greatest painters.

Visualizing Painters' Lives

The visualization consists of 10 timelines, one for each painter.

Visualizing Painters' Lives

These are gathered on one "master" timeline, while the group also developed separate charts for each of the artists.

Visualizing Painters' Lives

The timelines consists of horizontal bars that are marked at intervals by various symbols, each one representing a different facet of an artist’s work or personal life.

Visualizing Painters' Lives

These biographical moments range wildly to give a total sense of the artist through very minimalist means.

Visualizing Painters' Lives

These include everything from consequential information, such as places of education or military service…

Visualizing Painters' Lives

…to inconsequential factoids, such as handedness and astrological signs.

Visualizing Painters' Lives

Periods of artistic expression and specific works are, of course, also plotted along the chart.

Visualizing Painters' Lives

Each timeline is anchored to the left by a custom avatar composed using visual elements from the painter’s canon.

Visualizing Painters' Lives

Secondary symbols convey the themes and subjects of an artist’s significant paintings.

Visualizing Painters' Lives

According to Accurat head Giorgia Lupi, an artist’s career is represented "through the total of paintings divided per year and periods…"

Visualizing Painters' Lives

"…and through an in-depth exploration of main masterpieces illustrating main colors and art board size."

Visualizing Painters' Lives

The project is different than much of the studio’s earlier work, much of which was produced for Italian publication La Lettera.

Visualizing Painters' Lives

Where those works had a more journalistic bent, "Visualizing Painters’" is a much more playful exercise.

Visualizing Painters' Lives

The lack of a "story" or the need to project causal relations gave the group the freedom to experiment with the form of the visualization itself.

Visualizing Painters' Lives

Their goal was also much simpler, Lupi says.

Visualizing Painters' Lives

I.e. "[To make] beauties with new visual metaphors that [would] let us experiment with uncommon visual models."

Visualizing Painters' Lives

The end result, however, is far from simple or limited in scope.

Visualizing Painters' Lives

The visualization covers a lot of ground, and it requires close observation.

Visualizing Painters' Lives

One has to peer up close to follow all of the events and works that make up the life of each artist.

Visualizing Painters' Lives

Interestingly, the timeline also makes connections that link all of the painters.

Visualizing Painters' Lives

Arrows pointing from one artist to another indicate their influence or a direction connection.

Visualizing Painters' Lives

Unsurprisingly, all roads leads to Picasso and to Paris, where nearly all of the artists resided for a point.

Visualizing Painters' Lives

The most interesting tidbit? Scroll down to see!

Infographic: Visualizing The Lives Of The World's 10 Greatest Painters

Italian studio Accurat has produced a series of sprawling infographics that plot the events that shaped the lives of 20th-century masters Picasso, Matisse, Dalí, and others.

Some artists are remembered for their works and others for their lives--and especially for the juicy anecdotes they leave behind for doctoral students and biographers to pick over. The latest from Milan-based design studio Accurat plots the trajectories of the 20th century’s greatest painters in one sprawling infographic--and does it in a way that makes it easy for you to see the differences in temperament. For all of Picasso’s flamboyance and chauvinistic flair, you get Jackson Pollock’s brooding reticence.

"Visualizing Painters’ Lives" charts biographical details from the careers of Miro, Klee, Dalí, and others along horizontal bars, in a manner resembling musical notation. An assortment of visual markers--each of which bears different typological shapes, including hearts demarcating lovers and picture frames for exhibitions--embellish each artist’s timeline.

The complex tableaux is elaborately detailed and meant to be observed up close in order to properly unspool the events, art, and relationships that shaped the artists and their spectacular works. The strategy, which Accurat has employed several times before, uses minimalist graphics and little or no text to accomplish its aim.

Yet the project represents a turn in the studio’s work, Accurat head Giorgia Lupi tells Co.Design: Where previous works, including several visualizations for La Lettura, the cultural supplement to Milan’s Corriere della Sera newspaper, are exercises in what’s been called "data journalism," or what Lupi prefers to call "info-spatial journalism," "Visualizing Painters’" is something different. With no reporting or datasets to fall back on, but also freed from journalistic parameters and the need to convey causal relationships, the designers were able to experiment with the form of the visualization itself. They also had a more simpler goal, Lupi says: "[To make] beauties with new visual metaphors that [would] let us experiment with uncommon visual models."

For "Visualizing Painters," Accurat created one master visualization on which all the artists are mapped; in addition to this, the studio developed an individual chart for every one of the 10 painters. The two types are identical in form, though the latter contains more detail about the specifics of the painters’ own artistic production. As Lupi explains, this is represented "through the total of paintings divided per year and periods, and through an in-depth exploration of main masterpieces illustrating main colors and art board size."

A pictogram, composed of visual elements from an artist’s oeuvre, anchors each artist’s timeline. (Think primary colors and overlapping planes for Mondrian; triangles, circles, and polygons for Kandinsky.) A block quote balances the opposite end. Various other symbols populate the rows--they represent both the consequential (schooling, military service) and inconsequential (handedness, astrological signs).

Also important: The timelines contextualize the aesthetic periods that each artist passed through and/or adopted. Matisse had the most varied portfolio, with a curious, experimental eye that could be mistaken for someone who had the erratic temperament of a dabbler--though we’re talking Matisse here. (Of course, that could easily be said of Dalí, who rapidly leaped from Neoclassicism and Surrealism to Neo-Baroque and everything in-between.)

Of similar interest is how the Accurate team weaves a web of connections that link the artists together. All roads, it seems, lead to Picasso, while Klimt and Boccioni appear to have operated as rogue players. Paris was the venue in which all the painters would work and, from time to time, pass one anothers’ paths. And probably the most striking tidbit? "The only painter with no love affairs reported seems to be Mondrian," Lupi says. What, no love for right angles?

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4 Comments

  • jolievie

    Interesting to see how the Artists are influenced by life events,proximity to the places major movements were taking place,Artistic cliques like the new Romantics in Britain  who lived in each others pockets,similar with Impressionist France ,an Artist I find fascinating is the Irish Artist Roderic o' Connor,he was in France during the major impressionist period but to see an exhibition of nearly all his works is very surprising as they vary wildly from impressionist to Dutch master style portraits The Breton girls and again some in the style of Van Gogh.He seems people and places left traces of themselves in his ART.He seemed to be indefinable.