Take a look at early drawings by @DanielLibeskind, Zaha Hadid (@ZHA_News) and more http://www.fastcodesign.com/3034683/take-a-look-at-the-early-drawings-of-famous-architects by @shaunacysays via @FastCoDesign

Coop Himmelblau, Super Spaces, c. 1969. Color photo-offset lithograph, 27 1/2 x 37 5/8"

Frank Gehry, Goldwyn-Hollywood Library, 1983. Sketch for built project. Pen and ink on paper, 10 5/8 x 8 1/8".

Zaha Hadid, The World (89 Degrees), 1984. Print with hand-applied acrylic and wash on paper, 27 1/2 x 22 5/8".

John Hejduk, Victims, 1986. Taxonomy of structures. Black and red felt-tip pen and ink on lined notebook paper, 10 7/8 x 8 1/2".

Daniel Libeskind, V – Horizontal, from the series Chamber Works: Architectural Meditations on Themes from Heraclitus, 1983. Screen print on BFK Rives paper, 22 3/8 x 30 1/16". Collection of the Alvin Boyarsky Archive.

Mary Miss, study for Untitled, Bedford Square, London, 1987. Isometric projection. Technical pen and ink and graphite on vellum paper, 18 11/16 x 24".

Bernard Tschumi, #4 K Series, 1985. Study for La Case Vide: La Villette, Folio VIII, 1985. Photostat with hand-applied enamel paint, 16 15/16 x 17".

Alex Wall, Office for Metropolitan Architecture (OMA), The Pleasure of Architecture, 1983. Poster based on competition drawings for Parc de la Villette, Paris, 1982–83. Color screen print on paper, 30 11/16 x 20 3/16".

Peter Wilson, Paradise Bridge, 1986. Plan, section, and isometric projection for unbuilt project. Color screen print on paper, 31 7/16 x 23 11/16".

Lebbeus Woods, Center for New Technology, Montage 1, 1985. Marker ink and technical pen and ink with graphite underdrawing and printed collage on Paus or Mylar mounted to paper board, 27 x 17 1/8".

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The Early Drawings Of Famous Architects

Formative early work from Frank Gehry, Zaha Hadid, and more is on display at a new exhibition.

Among contemporary architects, drawing often takes a backseat to computer-aided design software. But the art of drawing is still an essential part of the practice. "To me, drawing is the foundation of architecture," says Daniel Libeskind in a video produced by Washington University in St. Louis. "There is no substitute."

Formative drawings from the early careers of Libeskind and several other now-prominent architects will be on display starting in mid-September at Washington University's Mildred Lane Kemper Art Museum, as part of an exhibition called Drawing Ambience: Alvin Boyarsky and the Architectural Association.

© Daniel Libeskind

Boyarsky chaired the Architectural Association School of Architecture in London for almost two decades, and his private collection includes architectural drawings from the likes of Rem Koolhaas, Frank Gehry, and Zaha Hadid. Boyarsky saw drawing "not only as a representational medium, but also a form of architectural inquiry unto itself," as the exhibition curators write.

His collection of drawings, gleaned from the students and practitioners who passed through his school, includes site plans, design proposals, unbuilt works, and theoretical investigations, including an early sketch by Frank Gehry of the Goldwyn-Hollywood Library, and a poster based on the competition drawings for the Office for Metropolitan Architecture's 1982 master plan for the Parc de la Villette in Paris. Many of the abstract, explorational drawings don't resemble buildings at all, providing a glimpse into the creativity of the architectural imagination.

[h/t Slate]

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